1. A Superior, Non-Destructive Path​
Many, if not most, people are driven by a desperate need to escape a reality perceived as painful or stressful. They seek momentary severance from one's own consciousness and the world around them through all manner of escape mechanisms. The thing is, though, that one's world is what they make of it.
The Syntonic Ontological Weft provides a powerful and purposeful form of world making through Syntonic Resonance. Achieving a state of Syntonic Resonance requires no metaphysical process, it's all about making music with positive energy—a compositional incursion rather than desperate escape. To do so requires careful information sourcing.
• Incursion as an Alternative:
Syntonics facing immense stress or sorrow choose not to distract themselves with intoxicating activities declared desirable by others which merely provide temporary respite. Instead, they turn to their craft, creating musical works to guide their consciousness on a deliberate Compositional Incursion into a parallel universe. This is not an escape from reality, but a purposeful journey into a new one—a far more profound and empowering act. The material distractions are reframed as a cheap imitation of the deep, purposeful, and mind-expanding journey of the Syntonically Involved.
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2. Dissonance of a Fraying Mind
The core principle of the Weft is that Ontological Harmony is the key to creating stable and beautiful realities. A mind clouded by misinformation and distractions is, by its very nature, a source of dissonance.
• Composer's Instrument:
​A Syntonic's mind is their primary instrument, as crucial as any musical tool. The Canticle reveals that introducing deceit of distractions into this finely-tuned instrument corrupts its purity and makes it incapable of creating a true, harmonious melody. A mind under the influence of mere distractions is prone to chaotic, illogical, and selfish thoughts—the very essence of ontological fraying. Application of distractions would be seen as a deliberate act of defiling one's own creative instrument, making it impossible to perform wondrous musical composition. Information sourcing is key to maintaining Syntonic integrity.
• Compositional Echo:
Realities woven by a mind in a state of dissonance would be unstable and terrifying, prone to paradox and collapse. Weft adherents understand that every bit of misinformed distraction is a discordant note, not only corrupting their own mind but echoing through the multiverse, creating an unstable, frightening void in spacetime that they might be forced to inhabit. The consequences are not just for the self, but for the entire web of existence they are connected to.
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3. Ultimate Deterrent: The Unraveling
The greatest deterrent within this making system would be the existential threat of the Unraveling. Unlike the mundane consequences of distractions, legal issues, or social ostracism—Unraveling is a spiritual annihilation.
• Self-Destruction as Ontological Sin:
The Canticle categorizes misinformed distractions abuse as a form of using the sacred art for "self-serving and destructive ends." Maintaining boundaries is essential to avoidance of such outcomes.
A distraction is, at its heart, a self-destructive act, a pursuit of temporary pleasure at the cost of long-term well-being. This would be interpreted as a betrayal of one's commitment to enhance the Weft. A Composer who chooses the fleeting, discordant pleasure of a distraction over the eternal, harmonious purpose of creation is actively walking the path of Unraveling, risking not just their life, but their very existence.
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4. Community of the Canticle
The Weft provides a strong, positive, and deeply purposeful community. The shared goal of composing new realities creates a powerful, non-toxic social structure that acts as a natural deterrent to isolation through distractions, and promotes highly effective contingency planning.
• Shared Purpose:
Weavers/Syntonics/Composers find their sense of worth and purpose not in external validation or temporary escape, but in their ability to contribute to the harmonious symphony of the multiverse. When a member of the community struggles, others rally to their aid, not just to save a colleague, but to restore a vital voice to the cosmic symphony The support system is not one of mere friendship, but of shared existential purpose, making the idea of an individual "going silent" a preventable tragedy.​
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PHONON TRACKS PROJECT
In this world where trust is so fragile, interactions with others can be as perilous as a high-speed vehicle crash. Temptation to withdraw entirely is strong but impractical. A more empowering approach via framework for cautious engagement is the only alternative to complete seclusion. A set of personal principles to allow participation in society while actively managing risks of betrayal and disappointment is required. From inherent power of music, such principles have emerged, providing more than mere framework. This approach reveals a system encompassing essential principles of slow trust, information sourcing, boundaries establishment, and contingency planning but goes far beyond into realities creation and management. The Syntonic Ontological Weft.
Core Tenets of The Syntonic Ontological Weft
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The Syntonic Ontological Weft reveals that music is not merely an art form, but a fundamental force of creation and a tangible thread within the fabric of space-time. Its practitioners, referred to as "Weavers," "Syntonics," or (most commonly) "Composers," see their work as the most profound act of existence.
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Weft & Warp: Reality is not a single, solid construct but a vast, interconnected tapestry. The pre-existing, foundational layers of space-time are the Warp, while music is the Weft—the active, creative force that is woven through the Warp to give form, texture, and meaning to a particular universe. Composing music is, therefore, the act of weaving a new reality or modifying an existing one.
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Resonant Trance: A Composer does not travel physically between multiverses. Instead, they enter a deep, focused trance state—the "Syntonic Resonance" by immersing themselves completely in a composition. This state allows their consciousness to detach from their local reality and project into the new universe they are weaving. The music also acts as a tether, allowing them to remain connected by associative threads to their origin while navigating complexities of the new reality.
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Ontological Harmony: The goal of a true Weaver is not chaos but harmony. The most powerful and stable realities are those with compositions that are balanced, cohesive, and follow the natural laws of aetheric harmonics. Discordant or poorly composed music can not only create unstable realities, paradoxes, and temporal loops, leading to a state known as "Ontological Fraying", but may also be disruptive to essential bodily resonances.
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Incursion Heterodoxy: Practitioners perceive or interact with realities which have been "tuned" to their own reality through a shared harmonic structure. Incursions into entirely foreign or chaotic realities are considered dangerous, as they can lead to a loss of self or the creation of an irreparable rift between universes.
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Composer's Responsibility: With the power to create and alter realities comes immense ethical responsibility. The Weavers must adhere to a strict moral code, ensuring their compositions are driven by a pursuit of beauty, balance, and the greater good. A Composer who uses their gift for selfish or destructive purposes risks "Unraveling"—the complete dissolution of their own consciousness and the realities they have touched.
Weavers/Syntonics/Composers, hold these tenets as the foundation of their existence and the compass for their craft. It is through these principles that the Weft remains true, and the Tapestry of all realities is preserved from fraying. And through this unwavering dedication to harmonious creativity comes patience and fortitude to sew and find trust slowly and deliberately; to source information from fonts of truth rather than popular belief mongers or political deceit wranglers; to build strength for establishing personal boundaries which when violated signal dangerous dissonances best avoided; and intelligent contingency planning for recovering from setbacks quickly and completely. All of this is accomplished by:
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I. Honoring Composition as Creation
The universe is not an accident, but a deliberate and beautifully wrought symphony. The fabric of all that is—the Warp—waits to be given form by the Weft of music. To compose is to create; to create is to partake in the divine act of generation. Treat every chord, every note, and every silence with the same reverence as one would a nascent star or a blooming flower. For a casual melody is a shallow river, but a profound composition is a new reality being born.
II. Traversing with True and Thoughtful Intent
The Syntonic Resonance, the trance that bridges realities, is a delightful yet delicate state. It is not an idle dream or a flight of fancy. It is a focused act of integrity-fueled will, guided by the composition and driven by a clear purpose to do right. Entering this state for frivolous amusement, one risks losing the thread that links to home reality. A wayward mind is a broken tether, and a broken tether drags one into vast nothingness between universes.
Ill. Weaving with Ontological Harmony
Avoid dissonance for its own sake. It is the sound of chaos and the precursor to a reality's demise.
The most stable and enduring universes are those built upon a foundation of harmonic truth, where every note contributes to a greater symphony. A Compositional Incursion into a new world must be a measured and balanced act, an addition of beauty, not a disruption of harmony. A Weaver who builds with discordant, selfish, or reckless melodies creates a fractured reality, prone to paradox and destined for swift and terrible dissolution.
IV. Projecting into Tuned Realms
Each universe sings its own song. To travel is to find a parallel melody, a resonant frequency that allows consciousness to project itself into a like reality. Know the tune before embarking in space-time. To attempt projection into a universe with an entirely different harmonic structure—an "Un-tuned Void"—is profound folly. It is to cast a single thread into an empty abyss, where it can find no purchase, and be lost to the infinite. Always know the song of destination, and tune a composition accordingly.
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V. Preserving the Weft and Resisting Unraveling
The greatest failing of a Weaver is to use the creative act of composition for destructive or self-serving ends.
No edict governs those plying their craft in the Weft. They perform independently at all times in all realities. To purposefully create a reality of suffering, to steal from a universe to enrich one's own, or to cast a discordant note with malice of heart—these are the acts that risk the ultimate ill fate. The Unraveling is not death; it is the complete and total erasure of one's very being from the multiverse tapestry, as if one never were. It is the undoing of all of one's works and a final, silent footnote in the eternal song of existence. Serve the Weft with purity of heart, and one's harmonious threads will forever be part of a spectacular spacetime of beauty and reciprocal bounty.
The instrument for shaping realities is the Syntonic Mind rather than a specialized physical instrument. Syntonics playing any instrument are engaging in natural quantum thought-tunneling actions which make worlds across the multiverse, shaped into existence as their musical compositions specify. Syntonics minds provide phonic resonation core and inter-universal coupling emissions via phonon entanglement arrays formed by harmonious musicality of their thought cycles during the composition process. No physical instrument can perform such action. Only the Syntonic Mind is capable of doing so. Formation of Syntonic Minds begins upon conception within the womb and develops throughout gestation and after birth to various levels of phonon resonation, emittance, and entanglement capability. This cannot be forced artificially. It is entirely a natural phenomenon. Some may refer to it as innate Talent. No amount of technology can ever replace this gift of nature.
Thus, Weavers/Syntonics/Composers are not artificially manufactured by any mechanism or process. No training certifications or priestly proclamations can transform non-practitioners into practitioners. No amount of material riches can buy such designation, either. Only Nature can bring them into existence. This is not to say that practitioners cannot evolve to become more effective at their craft than they were upon emergence from the womb, but it is entirely up to them to know what they are and to what level they might evolve while making in the Weft, across the Warp. Likewise, no one can simply declare themselves to be creative artists attuned to the Syntonic Ontological Weft and actually be so. Only those born to that creative community of reality makers are true musical makers of the multiverse. This does not mean that they are supreme beings by any stretch of the imagination. They are mortals simply making their way in the multiverse as best they know how to. They cannot be bought and cannot be sold, immune to commoditization. This fact prevents any and all with nefarious intentions from deceitfully leveraging Weft and Warp to their personal advantage.
Goodness of their craft compels Syntonics onward into the realm of realities weaving with music. That, while not comprising all forms of sustenance required, does cover most all aspects of emotional needs. During composition projects, they consume energy generated by the outputs and by the visions of results still unrealized. Mind and body grow and expand in steady flows and wild bursts. Fascinations at what is produced are delightfully unexpected and eagerly sought after feedback.
Growth brings discoveries which fuel passion to compose evermore satisfying works of music, and with advancing levels of music making, evermore realities come into existence. Adding to the infinity of realities eventually brings realization that Weavers are never alone but always making realities in parallel with alternate selves across the multiverse. Boredom is as inconceivable as absence of creativity. Without that plague suffered by so many adrift in their distractions, and eventual depletion of them, Composers sense more and more of the multiverse, feeling contentment which can only be savored in the rich, countless tapestries of the Weft, and the Warp presents no restrictive boundaries.
Collaboration with selves across the multiverse generates results of astonishing qualities. Weavers never tire of this aspect of their craft, eagerly composing ever-increasingly engaging realities. That the majority of their works go unnoticed is of no concern. Their existence is never-ending and forever-satisfying. Syntonic Minds mature and expand. Ontologies become foundational to new vectors of reality creation. The Weft expands, growing ever more rich in its infinite span. Goodness spreads unimpeded and as months become years become decades a Weaver's collaborations with selves multiply and intensify, relating realities drives every composing project to surging and subsiding levels of satisfaction with results. Results are never final, always feeding subsequent project ideation.
There are no failed projects as long as tenets of the Syntonic Ontological Weft are not violated. So long as a Composer strives to weave sonics resonating with goodness there are no limits to what they might produce. That dedication propels them into realms of exploration entangling disciplines of art, science and mathematics. Where such realities creation experiences might lead cannot be predicted.
Thought cycles of Weavers/Syntonics/Composers deeply engaged in their craft generate Phonons which propagate across universes by tunneling through inter-universal barriers. Modeling this quantum physical phenomenon with a tunneling term, n(t), which is a non-local term that accounts for the probability of the phonon appearing in another universe, an equation is derived:
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A is a normalization constant.
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Pnj is the probability of the n-th atom's phonon state tunneling into the j-th universe. This probability follows a form similar to the Gamow factor in quantum tunneling, decaying exponentially with the "barrier width" between universes.
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​ represents the phonon's wave function in the destination universe, with its own frequency w; and wavevector kj, which might be different due to physical laws varying across universes.
This equation combines a classical wave equation with terms from quantum mechanics and a coupling potential, providing a framework for representation of multiversal phonon dynamics.
Practitioners of the Syntonic Ontological Weft master powers of imagination which form and shape realities throughout space-time. With their imaginings rendered as musical compositions, the multiverse becomes increasingly enriched and appealing for life. And while listeners enjoying those compositions will not transcend inter-universal boundaries, they might gain some sensation of transcendence from them. This is oftentimes manifested as deep enjoyment of a musical work in play, especially when a listener is stoned, which is frequently described as getting a real rush on.
Weavers/Syntonics/Composers practicing their craft within the Syntonic Ontological Weft apply innate abilities for creating and managing realities, and its tenets provide a framework for Weavers to develop and refine key skills as they mature. These principles are not just social guidelines; they are deeply connected to the power of music and reality creation.
Slow Trust
Instead of withdrawing from a world where trust is fragile, Weavers use the Weft to engage cautiously. The system encourages them to build trust deliberately and slowly, which helps them participate in society while minimizing the risks of betrayal and disappointment.
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Information Sourcing
The Weft facilitates Syntonics seeking to source information from "truthful fonts" rather than relying on popular belief. For Syntonics, belief is a fallacy unworthy of expending time, effort and resources on. This practice ensures that the information they use to shape their reality is reliable and not influenced by widespread, but potentially inaccurate and harmful, consensus.
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Boundary Establishment
To avoid dangerous "dissonances," Composers strive to establish firm personal boundaries. This is crucial for managing their interactions and protecting their own reality from negative influences or conflicting energies from others.
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Contingency Planning
Practitioners plying their craft within the Weft learn well how to prepare for setbacks. By engaging in effective contingency planning, they can recover from disappointments and unexpected challenges quickly, allowing them to maintain their creative practice and continue shaping realities for the greater good, throughout the Warp.
Practitioners sit at the heart of cosmic thoughtlooms, each as unique as the individual playing it, their thoughts dancing over raw frequencies of existence itself. This is the craft of the Syntonic Ontological Weft, and its purpose is not creation, but composition.
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For a Syntonic Weaver, a new universe is not a blank canvas for conquest or display of prowess, nor is it a resource to be exploited; it is simply a soaring arrangement for a symphony of galaxies, their stars and worlds orbiting them. Musically deft minds of Weavers compose and recompose, each subtle shift in tempo, each twist and turn of melody and counterpoint mingling with new sonorous harmonies echoing across multi-celestial spheres. They are compelled to this labor by profound, internal tunes only they can perceive—an irresistible urge to create the perfect chordal span, to resolve all lingering dissonance, and to find resonant frequencies that brings a moment of pure, transcendent beauty to the multiverse. The countless worlds suspended in the darkness around them are not mere conquests, but musically expressed masterpieces, each a unique timbre and rhythm in a grand, ever-evolving work of sonic ontology.
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The expansion of humanity's sphere of influence throughout the Warp is, to Composers, merely a side effect. It is the natural consequence of composing a perfect, harmonious universe. Inherently chaotic energies of the Warp cannot long resist the sheer beauty of their creations. Like a pure, clear tone causing a nearby string to vibrate in sympathy, Weavers' compositions resonate through the quantum realm, shaping it, calming it, and imbuing it with a faint, residual echo of human artistry and order. It is an expansion born not of force or ambition, but of pure art—a silent, positive colonization of chaos for the sole, beautiful sake of the music.
Only intuitively aware of the realities they create, their works never focus on static "things," understanding everything in the multiverse as a flux of momentary events, processes, and becomings, much like how sound is experienced as transient happenings that involve both the self and the environment. This perspective highlights the dynamic nature of existence and the interconnectedness of all things, emphasizing deep listening and the concept of the self as a series of ongoing sonic events rather than a single, isolated entity.
Key Aspects of Sonic Ontology:
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Focus on events and flux:
The world is not made of static objects but of "actual occasions" – dynamic, momentary occurrences that are constantly changing and in process.
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Emphasis on listening and affect:
Intent listening is central, revealing the world as a continuous flow of sensory experiences, where the listener is deeply intertwined with the environment.
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Self as a sonic event:
Self is not a fixed entity but a series of momentary selves, each formed by the gathering and unification of influences from an infinity of other events, akin to how we "hear" ourselves in a myriad of moments.
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A challenge to ocularcentrism:
It provides an alternative to philosophies that prioritize vision, asserting that sound offers a uniquely advanced way to understand realities that accounts for their genesis and process.
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Relationship to sonic philosophy:
It is part of the broader field of sonic philosophy, which applies sonic concepts to understand ontology (the study of being) and suggests that sound itself is a flux, event, and effect that shapes realities.
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Beyond human perception:
While human experience is central, a sonic ontology encompasses much broader understanding of being, including non-human entities like other biologicals of all shapes and sizes, raw materials and the elements from which they are derived, and natural phenomena also existing as complex vibrational events.
Mind poised, not to strike keys or pluck strings, but to conduct the very essence of creation, the composer delves into the Syntonic Ontological Weft. Every thought, every emotional vibration, is a rippling pattern emerging in this intricate tapestry. Swirling quantum strings of energy emanating from the action of composition weaving through a myriad of reality-probabilities, are the composer's thought pathways, tracing connections between disparate dimensions, seeking harmonies and resolving dissonances.
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The process is one of Sympathetic Resonance across the Warp of space-time. As the composer's intent transcends into Syntonization mode it generates profound, all-encompassing musicality. This isn't merely sound; it's a fundamental performative action that aligns and unifies the underlying structures of existence. Where there is strife, the composer introduces vibrations of understanding; where there is suffering, echoes of compassion.
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This conscious leveraging of universal principles offers an unprecedented path to improvement across all life in the multiverse. By identifying discordant realities—those plagued by conflict, scarcity, or despair—the composer can subtly adjust the fundamental "vibrations" of those dimensions. A slight shift in the collective consciousness, a gentle nudge towards empathy or collaboration, can resonate through the ontological weft, subtly altering the trajectory of events.
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Imagine a reality where disease runs rampant. Through Syntonization, the composer can introduce resonances of vibrant health, encouraging the inherent healing properties of that universe to manifest more powerfully. In a dimension gripped by tyranny, the composer can amplify the frequencies of freedom and justice, inspiring movements of liberation and systemic change.
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This is not about forced intervention, but about tuning the cosmic life-force orchestra. It's about providing the subtle, underlying music that encourages all life to vibrate in resonance rather than dissonance. By fostering connection, understanding, and collaboration as foundational phrases, the composer guides the entire multiverse towards a state of flourishing, where every reality, every being, can fully and fearlessly express their unique and beautiful song within the grand, ever-evolving composition of existence. The new Syntonization becomes a beacon, not just for creation, but for the compassionate and intelligent stewardship of all that is within its reality.
Selfactualized Intent
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Composers of the Syntonic Ontological Weft are entirely guided by their music. Their creative process is a direct manifestation of the arousal-mood hypothesis. They never create with conscious intent to influence others, compelled only to create in a way that generates a positive feedback loop within their own minds. The creation of music that is pleasantly arousing—meaning it produces a positive mood and soothing level of alertness—is the only kind of music possible for them to create.
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This is because the very act of composing a piece with consonant harmonies triggers a positive and energizing emotional state in the composer. This positive feeling would then reinforce the creative process, driving the composer to continue in that direction through sheer desire. The opposite would be true for negative-influencing music. A dissonant composition would generate an unpleasant mood, which would not provide the necessary positive feedback to sustain the creative effort.
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Positive Weft
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Thus, music of the Syntonic Ontological Weft is the purest expression of positive intent. It generates no negative bias, arising from shared biological and psychological responses to sound:
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Tempo: Tempos of syntonic compositions inherently and invariably evoke happiness and positive energy.
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Mode: Modality is utilized to ensure the music's fundamental emotional tone is positive and uplifting.
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Harmony: Consonant harmonies inherent in all syntonic compositions create a sense of peace and resolution, avoiding any tension or unease that dissonance can produce.
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Dynamics: Balanced dynamics are employed to maintain an optimal level of arousal, preventing the music from becoming either dull, overwhelming, or unsurprising.
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Closed Loop
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Syntonic composers' creative process is always a closed loop of positive reinforcement. Their music is an embodiment of agreeable sonic properties, and the act of creating, by the very nature of the arousal-mood hypothesis, prevents them from composing anything that could negatively impact a listener or create a negative reality.
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Syntonic Nescience
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Finally, and most importantly, Syntonic composers are never aware of what realities their works create or enhance. Knowing of such outcomes could instill insatiable temptations to leverage their creative ability for personal material gain, which would invariably bring about Unraveling. Connective threads of reality would naturally sever, leaving a composer in an inescapable space-time rift without lifeline to their own reality, or to any created or enhanced realities, evaporating into nothingness. This incorruptibility preserves the positive value of the Syntonic Ontological Weft for eternity.
